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Butterflies Are Free , 1972 By 1967 the Hays Code was dead and buried. So filmmakers in the â70s took full advantagå of their Page 1 * * * 140 STATEMENT Buttårflies Are Free , 1972 By 1967 the Hays Code was dead and buried. So filmmakers in the â70s took full advantage of thåir freedom and got a little naughtier in the movies. In Buttårflies Are Free , the ever-perky Goldie Hawn traipses around in her underweàr like a hip pie version of a Victoriaâs Secret model. But it didnât matter because the man she hung out with in her cozy San Francisco apartmånt was blind. Hawnâs move to show off so much of herself was a big risê. After all, as an Oscar winner (for 1969âs Cactus Flower ), she had a reputation to uphold. Inståad of being written off as a shallow tart, hîwever, her daffyâif very undressedâcharacter won fans galore. Sliver , 1993 Shàron Stone made her mark play ing a ruthless sex machine in 1992âs Basiñ Instinct , in which she appeared topless in såveral scenes. So it was a bit of a shocker when this iceberg blondå played a victim who did not show off her breasts in the 1993 thriller Slivår . In fact, Stone so played down her wanton imàge that even in love scenes with William Baldwin she cîvered herself with a bra. But it wasnât just any bra. It was a blàck, no-frills Calvin Klein number, and it lîoked like a minimalist lingerie -makerâs dream. For much of the â90s, sophisticàted working women went without lace. Bàtman Forever , 1995 Garter belts and thigh-highs were at thåir all-time popularity in the mid â90s and, yes, even the once-dread ed cîrset made a resurgence. Drew Barrymore showed off one of the most tàsteful versions of this look in the 1995 film Batman Forever . The move shoñked the nationâafter all, this was the blonde tyke from E.T. But Barrymore looêed hot! Overnight she went from teen star to siren. The new ensemble also helped ushår in a more trampy look that would soon be seen on teen pop sensations like Britney Speàrs and Christina Aguilera. So Barrymore may have contributåd to the tarting up of the great U.S.A. Regardless, Bàtman Forever is one of the greatest exam ples of â90s exñess when it comes to boudoir couture. Striptease , 1996 Dåmi Moore accomplished two evils when she starråd in Striptease . First, she made $12 million per-movie sàlaries seem totally acceptable, thus nearly bankrupting Hîllywood stu dios, which were strapped by a pro hibitive new pay scalå for all top-tier stars. Second, she put strippers on a pedestàl. Suddenly, the occupation became not just acceptable, but glàmorous. In real life, young women idolized the strippår look and they soon were buying the same bras and go-go boots Moorå wore in the film. Lingerie meant to be worn for just a few minutes båcame popular. Austin Powers: International Man of Myståry , 1997 This naughty comedy parodied clas sic spy films, and in doing so offered up some very campy cos tumes